During my trip to the museum of modern art I viewed a couple of artworks from “Cindy Sherman” and the “Contemporary Galleries: 1980-Now” exhibitions. Even though Cindy Sherman exhibits had nice arts I really didn’t find anything that caught my caught. The artworks that really caught my eyes were the artworks from the “Contemporary Galleries: 1980-Now”. These artworks were from Martin Kippenberger and Ashley Bickerton. This artiste explores the ideas of historical, personal individual and cultural identity in their artworks.
The first piece of artwork that caught my eye was an untitled piece from the series Dear Painter, Paint for me by Martin Kippenberger (1981). Here Martin explores the idea of historical identity in the way how he’s sitting in the corner of an urban city on a couch where you barely see anyone on the sidewalk compared to how it is now in our era. Today urban city is crowded with over population of people and traffic. In this image it seems that this guy has time in his hands. He sits and wonders. However now a days we don’t due to how fast everything has become. Everyone today seems to be in a rush to get to where they want to get to.
The second piece of work that caught my eyes was when I walked into a room and saw a man standing with his hands on this back facing the wall. This was an artwork of Martin Kippenberg "Martin, Into the Corner, You Should be Ashamed of Yourself" (1992). The guy wearing a white shirt had a globe printed on it making it look like a cultural identity type of artwork. The globe seems to represent where the guy came from or where he’s been trying to go to but got caught and punished.
Last but not least the third artwork that caught my eyes was Ashley Bickerton, Tormented Self-Portrait (1987-1988). This portrait was a great way of showing a person’s individual identity. When I saw this portrait I stood there figuring out what is this portrait really about. I was so confused with all those logos on the portrait until I read the information about Ashley’s portrait. Each one of those logos represented her day to day choices. Instead of just drawing it out she used logos to describe it and make it clear. The logos showed her favorite things such as her hobbies as in surfer and her cigarette brand. This portrait was a great way of showing a person’s individual identity.
All of these contemporary artists really amused me in the way they showed their type of artworks. It expressed ways of communication seen through his historical, personal individual, and cultural identity. I love how each one of the artworks vary showing demonstrating people type of art works that we never thought it was art.
The first piece of artwork that caught my eye was an untitled piece from the series Dear Painter, Paint for me by Martin Kippenberger (1981). Here Martin explores the idea of historical identity in the way how he’s sitting in the corner of an urban city on a couch where you barely see anyone on the sidewalk compared to how it is now in our era. Today urban city is crowded with over population of people and traffic. In this image it seems that this guy has time in his hands. He sits and wonders. However now a days we don’t due to how fast everything has become. Everyone today seems to be in a rush to get to where they want to get to.
The second piece of work that caught my eyes was when I walked into a room and saw a man standing with his hands on this back facing the wall. This was an artwork of Martin Kippenberg "Martin, Into the Corner, You Should be Ashamed of Yourself" (1992). The guy wearing a white shirt had a globe printed on it making it look like a cultural identity type of artwork. The globe seems to represent where the guy came from or where he’s been trying to go to but got caught and punished.
Last but not least the third artwork that caught my eyes was Ashley Bickerton, Tormented Self-Portrait (1987-1988). This portrait was a great way of showing a person’s individual identity. When I saw this portrait I stood there figuring out what is this portrait really about. I was so confused with all those logos on the portrait until I read the information about Ashley’s portrait. Each one of those logos represented her day to day choices. Instead of just drawing it out she used logos to describe it and make it clear. The logos showed her favorite things such as her hobbies as in surfer and her cigarette brand. This portrait was a great way of showing a person’s individual identity.
All of these contemporary artists really amused me in the way they showed their type of artworks. It expressed ways of communication seen through his historical, personal individual, and cultural identity. I love how each one of the artworks vary showing demonstrating people type of art works that we never thought it was art.

Martin Kippenberger
"Untitled"
Synthetic polymer paint on canvas
(1981)
"Untitled"
Synthetic polymer paint on canvas
(1981)

Martin Kippenberg
"Martin, Into the Corner, You Should
"Martin, Into the Corner, You Should
Ashley Bickerton
“Tormented Self
Portrait”
Synthetic Paint,
bronze powder and lacquer on wood, aluminum,
rubber, plastic, leather, chrome-plated steel and canvas.
(1987-88)